Giorgio Grassi (born 1935) is one of Italy’s most important modern architects, and part of the so-called Italian rationalist school, also known as La Tendenza, associated most famously with Carlo Aymonino and Aldo Rossi that emerged in Italy in the 1960s. Much influenced by Ludwig Hilberseimer, Heinrich Tessenow and Adolf Loos, Grassi’s architecture is the most severely rational of the group: his extremely formal work is predicated on absolute simplicity, clarity, and honesty without ingratiation, rhetoric, or spectacular shape-making; it refers to historical archetypes of form and space and has a strong concern with the making of urban space. For these reasons Grassi is a non-conformist and a critic of conventional mainstream architecture.
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Scenario: The party is moving through a cave inhabited by some evil cultists when we come across a fork in the tunnel. While everyone was arguing which way to go our cleric just decided to walk down the left passageway. The rest of the party ends up following him.
Dm: the tunnel leads to a sharp turn and you are unable to see what’s ahead. Do you want to look around the corner?
Cleric: yeah. I’ll peak around the corner carefully.
Dm: you see what apears to be a large bat like creature curled into a ball. It seems to be sleeping
Cleric: (looks back at party) their is a huge freaking bat guys.
Dm: you speak infernal right?
Cleric: yeah….
Creature: Is someone there?
Cleric: Nooooo…-rolls 8-
Creature:…What? Donnel? Is that you? ( refering to the previous guy we killed)
Cleric: It’s just a dream…this is your mother… im here to tell you that you’re such a good boy… -rolls 19-
The thing is there actually was a “Black Friends,” even though it premiered a year before Friends from the same studio, set in the same city, and everything:
Donatella Versace, Taraji P. Henson, Jennifer Lopez, Jessica Chastain and Kate Moss photographed by Mert Alas and Marcus Piggott, W Magazine March 2017
